1.0New Music USAhttps://newmusicusa.orgAngela Rose Brusselhttps://newmusicusa.org/nmbx/author/angela-rose-brussel/rich600338<blockquote class="wp-embedded-content" data-secret="5ckdvm3S5i"><a href="https://newmusicusa.org/nmbx/dublab-the-future-of-composition-from-the-ivory-tower-of-academia-to-the-basement-of-electronic-sound/">dublab — The Future of Composition: From the Ivory Tower of Academia to the Basement of Electronic Sound</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/dublab-the-future-of-composition-from-the-ivory-tower-of-academia-to-the-basement-of-electronic-sound/embed/#?secret=5ckdvm3S5i" width="600" height="338" title="“dublab — The Future of Composition: From the Ivory Tower of Academia to the Basement of Electronic Sound” — New Music USA" data-secret="5ckdvm3S5i" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://newmusicusa.org/wp-content/uploads/2022/11/Angela-Brussel-1200-×-500px.png1800750Max Alper, more commonly known by his handle “la meme young” is without a doubt singularly unique even if just with regards to his maverick pedagogic tendencies. But he’s not a sonic arts anomaly. He belongs to a whole confederation of deep listeners and practitioners who inhabit a virtual landscape of infinite (and infinitesimal) proportions. That is to say, no sound is too simple or small. No composition, too unintelligible or unorthodox.