{"version":"1.0","provider_name":"New Music USA","provider_url":"https:\/\/newmusicusa.org","author_name":"Tana Yonas","author_url":"https:\/\/newmusicusa.org\/nmbx\/author\/tana-yonas\/","title":"dublab - Composing to the Tempo of Time: The Philosophy of Musical Transcendence in the Ancient Griot World\u00a0 - New Music USA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jH0ml4sxjq\"><a href=\"https:\/\/newmusicusa.org\/nmbx\/dublab-composing-to-the-tempo-of-time-the-philosophy-of-musical-transcendence-in-the-ancient-griot-world\/\">dublab &#8211; Composing to the Tempo of Time: The Philosophy of Musical Transcendence in the Ancient Griot World\u00a0<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/newmusicusa.org\/nmbx\/dublab-composing-to-the-tempo-of-time-the-philosophy-of-musical-transcendence-in-the-ancient-griot-world\/embed\/#?secret=jH0ml4sxjq\" width=\"600\" height=\"338\" title=\"&#8220;dublab &#8211; Composing to the Tempo of Time: The Philosophy of Musical Transcendence in the Ancient Griot World\u00a0&#8221; &#8212; New Music USA\" data-secret=\"jH0ml4sxjq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/10\/Web-Header-co-branding-1200-\u00d7-500px-1024x427.png","thumbnail_width":1024,"thumbnail_height":427,"description":"The implications of the surge in interest in West African traditional griot music in the United States, Europe, and throughout Africa in the past decade offer much in this analysis of how these cultures intersect and relate to the study and experience of music."}