{"version":"1.0","provider_name":"New Music USA","provider_url":"https:\/\/newmusicusa.org","author_name":"Multiple Authors","author_url":"https:\/\/newmusicusa.org\/nmbx\/author\/multiple-authors\/","title":"Towards a Framework for Responsible Trans Casting Part 4: The Framework - New Music USA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xr3lWIb2iF\"><a href=\"https:\/\/newmusicusa.org\/nmbx\/towards-a-framework-for-responsible-trans-casting-part-4-the-framework\/\">Towards a Framework for Responsible Trans Casting Part 4: The Framework<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/newmusicusa.org\/nmbx\/towards-a-framework-for-responsible-trans-casting-part-4-the-framework\/embed\/#?secret=xr3lWIb2iF\" width=\"600\" height=\"338\" title=\"&#8220;Towards a Framework for Responsible Trans Casting Part 4: The Framework&#8221; &#8212; New Music USA\" data-secret=\"xr3lWIb2iF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/newmusicusa.org\/wp-content\/uploads\/2019\/09\/15-astronomy-black-wallpaper-constellation-banner-1024x609.jpg","thumbnail_width":1024,"thumbnail_height":609,"description":"After pondering a list of 10 questions representing the most frequent and pernicious\u201d you should ask yourself to avoid bad trans writing in opera and music theater, we encourage you to \u201cunlearn the lazy shortcuts that use binary genders to bypass genuine characterization.\u201d"}