{"id":436319,"date":"2022-05-25T10:16:06","date_gmt":"2022-05-25T14:16:06","guid":{"rendered":"https:\/\/newmusicusa.wpengine.com\/?p=436319"},"modified":"2022-06-10T14:17:00","modified_gmt":"2022-06-10T18:17:00","slug":"on-the-value-of-time","status":"publish","type":"post","link":"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/","title":{"rendered":"On the Value of Time"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ARxRgLw6ep8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Not too long ago, I received an email invitation to apply for an opportunity to work with an established ensemble. The application was a highly involved process and would make considerable demands on my time\u2014including a trip out of state. If awarded the appointment, the position would require many obligations in addition to composing, including outreach, lectures, and a series of curated concerts.<\/p>\n<p>The only mention of money? \u201cWe\u2019re in the process of securing some grants,\u201d the email read. Oh, okay.<\/p>\n<p>I politely declined the invitation, explaining that I was already fully committed for the season in question (which was true). But, the more I contemplated the massive time commitment requested by the organization, the more troubled I became. How was it remotely appropriate to contact a person about a highly specialized, complex job\u2014which also required a time-consuming, rigorous application process\u2014without mentioning compensation?<\/p>\n<p>This kind of treatment is rampant throughout our industry, and I know that performers certainly experience their own versions of the above scenario. Our field is plagued by an aversion toward discussing money, and this problem exists on both sides of the hiring equation. For composers, however, this issue is compounded by the very nature of our work. Because composers\u2019 processes are diverse and often opaque, potential commissioners sometimes don\u2019t know how to value what we do. This lack of understanding can result in a reluctance to discuss compensation and often justifies gross demands on our time and abilities.<\/p>\n<p>Out of all the wacky things that composers do, money ought to be the most uncomplicated and straightforward component. When you approach a composer about a potential commission or collaboration, funding should be among the first issues you address. While it may feel distasteful to discuss money alongside your artistic vision, know that avoiding the topic\u2014and even placing the impetus on the composer to inquire\u2014is enormously disrespectful. Most composers wouldn\u2019t claim to be in this business for the money, but we do expect to be treated professionally and compensated appropriately.<\/p>\n<p>So. Here are a few things to keep in mind when you approach a composer and begin a conversation about a project:<\/p>\n<p><strong>Reach out to us in advance. Way in advance.<\/strong> Composition is a time-consuming activity. I do not write my music in \u201creal\u201d time, and I often plan my projects up to two years in advance. While there are exceptions, I typically can\u2019t take on last-minute projects. Definitely reach out and ask us, but keep in mind that we\u2019re often planning a season or two (or more!) ahead.<\/p>\n<p><strong>Be up front about the amount and source of your funding.<\/strong> This is critically important, regardless of your budget size. If you\u2019re working with a low budget, unsure of your resources, or unable to pay\u2014don\u2019t misrepresent your financial limitations. We\u2019ll respect your honesty, and if we can\u2019t work with you this time, we\u2019ll be more likely to consider future projects.<\/p>\n<p><strong>Directly address the work that you and\/or your organization are putting in.<\/strong> Programming, performances, promotion, recording\u2014what\u2019s your investment? What are you contributing to make this project worthwhile for both parties?<\/p>\n<p><strong>Understand that demands on time separate from composing must be compensated.<\/strong> Community outreach? Masterclasses? A meet-and-greet with donors and subscribers? Great! Some musicians might offer these services for free or as part of their commitment; however, you should not make this assumption. Our time is valuable, and we need to be paid for our time.<\/p>\n<p><strong>Speaking of non-composing tasks: Address the time, effort, and expense that goes into engraving and preparing parts. <\/strong>This one is different for everyone\u2014some composers consider engraving and parts preparation integral parts of their compositional process. Others don\u2019t, and many composers outsource this work. Either way, budget both time and money to accommodate this phase.<\/p>\n<p><strong>Don\u2019t act surprised or attempt to guilt us when we don\u2019t offer a service for free or for a low\/discounted fee. <\/strong>I\u2019m frequently approached by individuals seeking music critiques, new arrangements of current works, business and marketing advice, and copyediting\u2014with the expectation that I offer these services for free. When I indicate otherwise, I\u2019m often met with incredulous responses like \u201cBut this will only take a few minutes!\u201d Right, cool, but since when do you get to determine the value of my time?<\/p>\n<p>Composers, I encourage you to examine how you spend your time and how you offer it to others. It is imperative to understand collaborators\u2019 expectations before agreeing to a project (and always make sure your exact responsibilities are detailed in a contract). Guard your time, and don\u2019t be afraid to set firm boundaries.<\/p>\n<p>Time is valuable. This is something that I remember every day when I sit down to compose\u2014truly, respect for others\u2019 time is demanded by the very nature of my craft. The time that an audience member spends listening to my music ought to be worthwhile, and that\u2019s the standard that I strive to uphold.<\/p>\n<p>In short: We, as composers, respect your time. Please respect ours.<\/p>\n<div class=\"owl-carousel owl-theme\">\t<div class=\"pullquotes-wrapper pullquote-slide item\">\n\t\t\t\t\t\t\t\t<div class=\"pullquote-text-wrapper\">\n\t\t\t\t\t\t\t\t\t<div class=\"pullquote-text\">\n\t\t\t\t\t\t\t\t\t\t<h3>Because composers\u2019 processes are diverse and often opaque, potential commissioners sometimes don\u2019t know how to value what we do.<\/h3>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"attribution-wrapper\"><img decoding=\"async\" src=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Hilary-Square-200x200.jpg\" alt=\"Hilary Purrington\" class=\"attribution-headshot\" \/><h5 class=\"attribution-text\">Hilary Purrington<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\t<div class=\"pullquotes-wrapper pullquote-slide item\">\n\t\t\t\t\t\t\t\t<div class=\"pullquote-text-wrapper\">\n\t\t\t\t\t\t\t\t\t<div class=\"pullquote-text\">\n\t\t\t\t\t\t\t\t\t\t<h3>Out of all the wacky things that composers do, money ought to be the most uncomplicated and straightforward component.<\/h3>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"attribution-wrapper\"><img decoding=\"async\" src=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Hilary-Square-200x200.jpg\" alt=\"Hilary Purrington\" class=\"attribution-headshot\" \/><h5 class=\"attribution-text\">Hilary Purrington<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\t<div class=\"pullquotes-wrapper pullquote-slide item\">\n\t\t\t\t\t\t\t\t<div class=\"pullquote-text-wrapper\">\n\t\t\t\t\t\t\t\t\t<div class=\"pullquote-text\">\n\t\t\t\t\t\t\t\t\t\t<h3>I do not write my music in \u201creal\u201d time, and I often plan my projects up to two years in advance.<\/h3>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"attribution-wrapper\"><img decoding=\"async\" src=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Hilary-Square-200x200.jpg\" alt=\"Hilary Purrington\" class=\"attribution-headshot\" \/><h5 class=\"attribution-text\">Hilary Purrington<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\t<div class=\"pullquotes-wrapper pullquote-slide item\">\n\t\t\t\t\t\t\t\t<div class=\"pullquote-text-wrapper\">\n\t\t\t\t\t\t\t\t\t<div class=\"pullquote-text\">\n\t\t\t\t\t\t\t\t\t\t<h3>If you\u2019re working with a low budget, unsure of your resources, or unable to pay\u2014don\u2019t misrepresent your financial limitations.<\/h3>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"attribution-wrapper\"><img decoding=\"async\" src=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Hilary-Square-200x200.jpg\" alt=\"Hilary Purrington\" class=\"attribution-headshot\" \/><h5 class=\"attribution-text\">Hilary Purrington<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\t<div class=\"pullquotes-wrapper pullquote-slide item\">\n\t\t\t\t\t\t\t\t<div class=\"pullquote-text-wrapper\">\n\t\t\t\t\t\t\t\t\t<div class=\"pullquote-text\">\n\t\t\t\t\t\t\t\t\t\t<h3>Composers, I encourage you to examine how you spend your time and how you offer it to others.<\/h3>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"attribution-wrapper\"><img decoding=\"async\" src=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Hilary-Square-200x200.jpg\" alt=\"Hilary Purrington\" class=\"attribution-headshot\" \/><h5 class=\"attribution-text\">Hilary Purrington<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div><\/div><script>\n\t\t\t\t\t\tjQuery(document).ready(function(){\n\t\t\t\t\t\t\tjQuery(\".owl-carousel\").owlCarousel({\n\t\t\t\t\t\t\t\titems:1,\n\t\t\t\t\t\t\t\tmargin:10,\n\t\t\t\t\t\t\t\tautoHeight:true\n\t\t\t\t\t\t\t});\n\t\t\t\t\t\t});\n\t\t\t\t\t<\/script>\n","protected":false},"excerpt":{"rendered":"<p>Because composers\u2019 processes are diverse and often opaque, potential commissioners sometimes don\u2019t know how to value what we do. This lack of understanding can result in a reluctance to discuss compensation and often justifies gross demands on our time and abilities.<\/p>\n","protected":false},"author":700,"featured_media":436338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[3,222],"tags":[842,2684,1480,2682],"nmb_categories":[6,25,2634],"how_to_category":[],"nmb_tags":[],"internal_taxonomy":[],"class_list":["post-436319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-toolbox","tag-composer-career","tag-fair-payment","tag-freelance","tag-remuneration","nmb_categories-articles","nmb_categories-how-tos","nmb_categories-new-music-toolbox"],"acf":[],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On the Value of Time - New Music USA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On the Value of Time - New Music USA\" \/>\n<meta property=\"og:description\" content=\"Because composers\u2019 processes are diverse and often opaque, potential commissioners sometimes don\u2019t know how to value what we do. This lack of understanding can result in a reluctance to discuss compensation and often justifies gross demands on our time and abilities.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\" \/>\n<meta property=\"og:site_name\" content=\"New Music USA\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/NewMusicUSA\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-25T14:16:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-10T18:17:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Toolbox-banner-image-1600-X-900-1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Hilary Purrington\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@newmusicusa\" \/>\n<meta name=\"twitter:site\" content=\"@newmusicusa\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Hilary Purrington\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\"},\"author\":{\"name\":\"Hilary Purrington\",\"@id\":\"https:\/\/newmusicusa.org\/#\/schema\/person\/33f62f59f58df20f644c0a6af9f8fb48\"},\"headline\":\"On the Value of Time\",\"datePublished\":\"2022-05-25T14:16:06+00:00\",\"dateModified\":\"2022-06-10T18:17:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\"},\"wordCount\":857,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/newmusicusa.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Toolbox-banner-image-1600-X-900-1-1.png\",\"keywords\":[\"composer career\",\"fair payment\",\"freelance\",\"remuneration\"],\"articleSection\":[\"Articles\",\"Toolbox\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\",\"url\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\",\"name\":\"On the Value of Time - New Music USA\",\"isPartOf\":{\"@id\":\"https:\/\/newmusicusa.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Toolbox-banner-image-1600-X-900-1-1.png\",\"datePublished\":\"2022-05-25T14:16:06+00:00\",\"dateModified\":\"2022-06-10T18:17:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#primaryimage\",\"url\":\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Toolbox-banner-image-1600-X-900-1-1.png\",\"contentUrl\":\"https:\/\/newmusicusa.org\/wp-content\/uploads\/2022\/05\/Toolbox-banner-image-1600-X-900-1-1.png\",\"width\":1600,\"height\":900},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/newmusicusa.org\/nmbx\/on-the-value-of-time\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/newmusicusa.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"On the Value of Time\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/newmusicusa.org\/#website\",\"url\":\"https:\/\/newmusicusa.org\/\",\"name\":\"New Music USA\",\"description\":\"Supporting the sounds of tomorrow. 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